Each has it's own advantages and disadvantages. You just wouldnt use these 2 things for the same purpose, with the exception of running a 140 sample vs the uad-1 140, and i would say at a static setting throughout the song the point would probably be moot, it isnt gonna be that much of a difference.Īs was said before, convoverbs, modelled \"mechanical verbs\" like the plate 140 and algorithmic verbs are really apples, oranges and bananas. Its a component by component physics model of the actual unit, very hard to code and more about giving you the exact behavior of a specific unit than a whole bunch of different reverbs. Plate 140 is a completely different approach, so different that i dont think comparisons are valid. Compare SIR, Pristine Space, IR-1, Wizoos, and all the other convolution reverbs out there and you quickly realize why they encrypt their samples so nobody else can mix and match samples and plugins and realize that, using the same sampled impulses, convolution plugins are basically more the same than different. To extend that analog you could think of plate140 as a synth, specifically a physics modeling synth but lets not get all complexicated hehehe, the effect is driven entirely by algo with no required \"sample\" in memory.Ĭonvolution plugins are easier to code, and in the end the quality is in the sampled reverbs, not in the plugin. You can really think of convolution plugins and sampler vsti plugins along the same lines, and much like you can run kontakt at 96k with a 44k sample bank in it you can do the same with a convolution verb, which is basically using a sample of a reverb impulse to drive the effect. ![]() In the end it is how it sound not how we get it. The UAD-1 card is the best copy protection in the world!! Them all now.It seems that there is less and less native plug-ins from major companies that do not have iLok/Pace connection. Something that has Pace drivers.Ok, they work on my old Intel P4,but not on main AMD 64 based system.I try to avoid So I guess the convolution is lossy process after all.Īs the Altiverb is iLok/Pace related it is a big problem to me personally.My system corrupts everytime I install Them would be nice.However,what I do know is that IRs from Plate 140 plug-in do not sound the same or as good as the original plug-in. There`s no test samples of these Plate IRs on the Net.Some snare drum and other samples through Of course the main thing is how these IRs sound,but it is the only thing that I can`t comment since I haven`t heard them. What can you do then?I guess there is no maxed reverb times among those Plate IRs.The Plate 140 has all the controls of the original and some more like said earlier by others. What reverb times do these Altiverb IRs represent?They obviously are fixed so if there is no matching reverb time in the library UAD-1 Plate is algorithm and as such it is first generation processing.This is just my reasoning so please correct me if I`m wrong. Then follows the deconvolving process that gives the final IR.Then this IR is used at the sample level to present captured gear or space. ![]() Various signal chains.The signal chain in this case would be: impulse or sine sweep ->DA converter->EMT Plate->AD converter. In my mind this convolution process is second generation processing as those IRs are audio files recorded through ![]() It is too demanding(especially if it is performed realtime).The UAD-1 Plate 140 works perfectly at 32bit/96kHz resolution. Should even be higher than processed audio file.I`ve been told that true convolution is not possible on current computers, ![]() In other words in cases when IR`s resolution is lower than actual audio track.I`ve heard that IR`s resolution Sample resolution be a problem when we have audio track at 24bit/96kHz resolution? I don`t understand or remember how this convolution process works at the sample level,but wouldn`t this fixed What resolution do those Altiverb Plate IR`s have(Wendy Carlos`and Chapman Recording`s)?Are they at 24bit/44.1kHz resolution?
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